FULL LENGTH PLAYS

 

IN THE AMAZON WAREHOUSE PARKING LOT
90 minutes / a flexible cast of 7 women, nonbinary, and trans actors

As the oceans rise, a band of queer warehouse workers travel from job to job, running from the encroaching coastline. An unlikely love story, and a startling new work of speculative fiction, In the Amazon Warehouse Parking Lot is a quietly revolutionary tale of queer aging, chosen family, and the search for home in a volatile world.

  • Production, Playwrights Horizons (and Breaking The Binary) 2024

  • Winner of the 2023 Susan Smith Blackburn Prize

  • Yaddo Fellowship, 2022

  • MacDowell Fellowship, 2022

  • Hedgebrook, residency, 2022

  • Commission, Playwrights Horizons & The Toulmin Foundation, 2020

EVERYTHING THAT NEVER HAPPENED
80 minutes / 1W, 2M, 1 AFAB nonbinary or trans actor

Jessica and Lorenzo are in love, but in order to be together they must plan an escape from her father's house, the Venetian ghetto, and her entire culture. Taking place in the gaps between The Merchant of Venice and the realities of Jewish history, Everything That Never Happened is a play about a father, a daughter, disguise, assimilation, pomegranates, and everything Shakespeare left out. 

  • East Coast Premiere coming winter 2025 to Baltimore Center Stage

  • Staged reading, The Folger Shakespeare Library, 2024

  • Production, Oregon Shakespeare Festival, 2020 (covid cancellation)

  • Marin Theatre Company, 2020 (covid cancellation)

  • World premiere, Boston Court Pasadena, 2018

  • Writing Fellowship, The Playwrights Realm, 2017

  • First runner-up, Leah Ryan FEWW Emerging Playwright Prize, 2017

  • Production, Carlotta Festival of New Plays, Yale School of Drama, 2017

THE GOOD GUYS
120 minutes / 2W, 5M

When Aarón joins a Connecticut group of Civil War reenactors, he is horrified to discover that visiting troops get to play as Union soldiers while he is forced to fight in Confederate uniform. When the unit’s leadership is usurped and gender, racial, and sexual identities come to the forefront, the group must find a way to make it to Gettysburg where they will finally get to fight as the North. A play about tents, spooning, queer romance, and the lengths we go to to think of ourselves as the good guys. 

  • Staged reading, Second Stage, 2024

  • Reading, Playground & The Juneteenth Theatre Justice Project, 2021

  • Reading, The Playwrights Realm, 2021

  • Reading, Oregon Shakespeare Festival, 2019

  • Finalist, Playwrights’ Week, The Lark, 2019

  • Reading, Play by Play, 2019

  • MacDowell Fellowship, 2018

  • Yaddo Fellowship, 2018

  • SPACE on Ryder Farm Residency, 2017

  • Wildacres Artist in Residence, 2017

FIGHT CALL
80 minutes / 4W (or female-adjacent) 2M

How many ingenues can Emma play before she just completely loses it? Come see a story told through the fight calls for all of Shakespeare’s onstage female death scenes. 

  • Staged reading, Breaking the Binary Festival, 2023

  • Finalist, Eugene O’Neill Theater Center, 2023

  • Workshop and public reading, Mercury IV, Artists Repertory Theatre, 2022

  • Residency, Fresh Ground Pepper, 2021

  • Workshop, Mercury III, Artists Repertory Theatre, 2021

  • Reading, Yale School of Drama, 2016


TINY
80 minutes / 2W, 2M

Rachel and Greg have just built a tiny house and now they need somewhere to park it. When Hannah and Neil offer their yard, the two couples become intertwined in ways they never expected. A play about the tiny house movement, surrogacy, pregnancy loss, the Northwest Passage, and the stories we tell and the stories we don’t.

  • Workshop, Seattle Repertory Theatre, 2018

  • Reading, Play By Play, 2016

  • Finalist, New Harmony Project, 2016

  • Workshop, Seven Devils Playwrights Conference, 2016

  • Reading, Great Plains Theatre Conference, 2016

  • Workshop production, Yale School of Drama, 2015

SHORT PLAYS

HOW TO WRITE A PLAY
10 minutes / 1 me

A play for Geva Theatre Center’s micro-commission project on Rochester’s women changemakers about writing a micro-commission project on Rochester’s women changemakers.

  • Commission, Geva Theatre Center, 2021


HERACLES

10 minutes / 3 humans

Heracles has just murdered his wife and children. What should he do now? Suffer? Mourn? End his own life? Buy a smaller refrigerator? This short play uses found text from Heracles and from a refrigerator sales website to turn canonical misogyny into an unsuspecting comedy.


NOW  
1 minute / 1W

Like a love letter to SEPTA. Except the opposite. 

  • Philadelphia One-Minute Play Festival, 2013